Tuesday, May 3, 2011

Monday, May 2, 2011

Derek Blanks




 

Derek Blanks is another one of my favorite photographers, both when it comes to celebrities like Annie Leibovitz, and his overall work in general. I particularly like his Alter-Ego photo shoots where he captures two or more sides to his subject, most of which are representations of either how they see themselves, how the media and society sees them, or a combination of both. These are two favorite images of mine, especially the lower one of singer Michelle Williams. Growing up church, I connected to this image because being in this environment you're expected to behave and present yourself a certain and are pretty much judged if just a tad bit different.

Annie Leibovitz

Meryl Streep (1981)

Rihanna, Vogue (2011)

Keith Haring (1986)

Natalia Vodianova, Vogue (2003)

For History of Photo, we have to create a casebook on a particular photographer, including their bio, any publications by/about them, exhibitions and images that are both iconic and of personal interest. I've always loved Leibovitz's photographs, especially those of particular celebrities, because I feel like she captures a piece of their personalities and makes them seem more real and not a character they may play.

Sunday, May 1, 2011

Carol Golemboski: Psychometry

Life of the Party  (2003)
Toned silver-gelatin print



I chose the 'Psychometry' show by Carol Golemboski because I was really drawn to the black and white contrast and graphic nature of the images. There were a few that stood out to me, but my favorite shot was Life of the Party.

This image displays what looks like a dart board, with a donkey in the center surrounded by various numbers. On the outside of the circle are illustrations of people, possibly those at the "party" in groups of two or alone. There's also inscriptions of both the title of the piece and comments of judgment and laughter.

When I look at this photograph, the first thing I thought of was the "class clown" - the one person in class or in a group of friends that always makes jokes or tries their best to gain everyone's attention around them. They think that everyone is laughing with them, when in fact they're being laughed at.

I think Golemboski did a great job in portraying this idea. With all the components combined together, it definitely gets the idea across to the viewer. One thing that I really think helps is the inscriptions of the laughter. Because some are a little bolder than others, it gives off the idea of what you do and don't hear in a conversation, or what is said behind someone's back. Another part of the piece that works well is the donkey in the center because it's putting itself [in a way] on display for the people in the corners, as well as the viewer.

Thursday, April 28, 2011

Project #4: Inspired by .... Aline Smithson





For those project I chose photographer Aline Smithson. Her images are mostly in color, aside from a few series shot in black and white. She uses 4 different cameras for her work - a twin lens Rolleiflex, Hasselblad, the Diana and a Holga. They are usually cropped, focusing on a particular subject, sometimes from an awkward angle. Typical subjects in her work vary from self, family, objects and sometimes landscapes.Smithson’s work uses themes of childhood, relationships and self-relection. A few of her series also focus on the concept of tradition and history, like Arrangement in Green & Black: Portrait of the Photographer’s Mother. Her Self-portraits series is based on identity, with a main focus on the feet shot at a downward angle.

Taking all of this into consideration, for my project I wanted to combine some of her concepts and techniques. From all of the themes she has used in her portfolios, I connected with memory and identity the most. Wanting to want to focus on what makes a person who they are, I decided to take the concept from her In Case of Rain series and mix that with the idea of the self-portrait. I kept a few things the same as far as format is concerned, but wanted to experiment with digitally painting on the color as an accent with black and white shots - that way I mixed a little of her style with my own personal preference.

Project #4: Before Edits




Final Portfolio: Ideas

At first I thought about continuing with Aline Smithson's Arrangement series for my final pieces. But when I actually sat down and thought about what I wanted to shoot images of, I decided to tackle the subject of the 7 deadly sins and 7 holy virtues. I've always had an interest in it, but have yet to actually do anything with it for an art project. Given that there's so many definitions for each sin and virtue, I know I'll have a lot to work with - I'm just not sure if I want to go the traditional route and work solely with the definitions that I found in my research, or if I want to give my own take on it, still keeping the known meaning in mind. Maybe with a little more searching I'll come up with a final idea.

Monday, April 4, 2011

Project #4: Inspired by .... [Research Images]

ALINE SMITHSON


from Self-Portraits

from In Case of Rain

from Arrangement in Green and Black: Portrait of the Photographer's Mother


Monday, March 21, 2011

Project #3: Panorama


Death of Childhood
45 x 19 Panorama

For this project I wanted to create a surreal playground environment. I chose this idea because I wanted to illustrate the idea of childhood and the fact that it seems that nowadays most children and are either not given the ideal experience of being a kid or have to grow up quicker than most due to particular circumstances like problems within the family or teen pregnancy. To get this point across, I took pictures of various playground equipment and distorted them, removing parts and desaturating the color. I'm pretty happy with the result, although I may go back in later and add more equipment and bits of destruction here and there.

Thursday, March 3, 2011

Project #2: That's Cool (and Warm)



For this project I wanted to portray the feeling of relaxation in different settings. I chose these two scenarios because they're the best ways I know of to relieve stress, especially with music. If I were to rework them, I might use different environments or highlight different colors for each mood. But for now, I think I'm okay with how they came out.

Tuesday, February 1, 2011

Project #1: Non-local Color

                       

In The Garden
12 x 18 print

I chose a garden scene for this project because I really like the energy that this type of environment gives off. Even though it's usually seen as a very calm and quiet place, I think there's a lot of life in the water and the plants - so I wanted to capture that feeling with the color. I chose a lot of bright colors to give it more of a surreal type of look because whenever I walk through any garden it takes me out of the everyday chaos of classes and responsibility and puts me in a different place. I like the colors, but I think I might go back in and change the tint of the rocks to go with the rest of the surroundings; I'm just not sure which color yet.

Monday, January 24, 2011

Non-local Color: Artist Inspiration

Darryl Baird - Aqueous Humor #6 

I like that this image pretty much uses almost color in the spectrum.The repetition of the eyes in the center and then again in the bottom corner make the composition really interesting. I think it has some sort of connection to the text in the background, but I'm not really sure. I also like the use of color over the sequence of runners in the middle - I think it might match their levels of energy.